A Working Man hammers home, David Ayer’s 116-minute thriller, out March 2025. Jason Statham’s Levon Cade, ex-black ops, hunts a kidnapped teen, unraveling a cartel’s web. Sylvester Stallone’s script, from Chuck Dixon’s novel, grounds Beekeeper’s fire in grit and loss.

Statham’s Cade is quiet fury—his warehouse clash pops, his scars heavy. David Harbour’s cop bites, Alana Boden’s girl tugs, though foes blend. Mauro Fiore’s visuals—rusty yards, dim streets—are harsh, Clinton Shorter’s score a taut hum. Action—gun traps, fist fights—is lean, edited to wound. The film seeks a father’s drive, a 2025 spark for Statham’s faithful, its pulse steady.

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